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John Cadd Super Member
Joined: 23 Jul 2009 Posts: 1345 Location: Hoylake
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Posted: Sat May 11, 2024 4:40 am Post subject: plate tuning |
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Just for mischief I tried to ask an AI site some awkward questions ,like the ones we have on this topic. When I asked if it is possible to annoy an AI machine the writing went Red and it said
Duckduckgo is unavailable now.Please try later.------ Perfect. |
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MikeCooper Member
Joined: 08 Nov 2023 Posts: 182 Location: USA Georgia
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Posted: Tue May 21, 2024 9:12 am Post subject: |
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Since this has become a discussion of curtate cycloids, I have a question or two.
I use half templates. I traced them from the CT scan on the Titian poster, is that good enough or should I use actual CC templates?
When using CC templates do you use the usual 5 cross arch templates and then carve out between them by eye? Or do you have some other method of establishing the arch along the whole length of a plate?
I've noticed from looking at CT scans and other good images of Cremonese instruments that the bottom of the scoop is in from the purfling, in other words the purfling is on the outer part of the scoop so that's what I do. |
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Michael Darnton Moderator
Joined: 23 Mar 2007 Posts: 1347 Location: Chicago
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Posted: Tue May 21, 2024 9:28 am Post subject: |
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Half templates are fine. I think that's actually what was done, and it has caused me to think that probably the area around the edges is more important than the center, regarding arch. Which makes a lot of sense. I've seen some very grotesque violin arches that nevertheless followed the templates around the edges and worked fine, in spite of the middle area. I think there they just blended the two sides without a lot of concern. In the center I think that graduation is the major factor, both from stiffness and weight.
Yes, purfling is on the slant downwards, scoop always in from that, and that is a nearly universal feature of Cremonese work. Scoop directly on the purfling is a nearly universal feature of German factory and later work. Think Roths, etc. Thanks to the Hills for that bad observation that messed up violin makers for 100 years.
I use the normal 5 templates. At my summer workshop one year Sam Ray Compton made a template for every cm of the back, 35 in all, and was following them religiously. It was one of the most beautiful arches on a new violin that I'd ever seen. Unfortunately, he went home from the workshop and immediately died, so that's the extent of that experiment. _________________ new blog at my site! http://darntonviolins.com/blog
my work sites: http://darntonviolins.com and http://darntonhersh.com |
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MikeCooper Member
Joined: 08 Nov 2023 Posts: 182 Location: USA Georgia
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Posted: Tue May 21, 2024 10:23 am Post subject: |
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Hi Michael, thank you for the comments. I think I'm on the right track for some reasonably good arching for an old backyard hacker.
I hope it's not rude to find humor in that. Went home from the workshop and immediately died. What an abrupt end to the violin build! |
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