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actonern Super Member
Joined: 15 Aug 2007 Posts: 444
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Posted: Thu Mar 07, 2013 9:49 am Post subject: Flat platform at plate ends |
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The Sacconi book and other sources show that Stradivari drew a straight line accross the plate ends where the blocks are glued on, and this straight line extended past the area that would be occupied by the end blocks right to the edges on either side.
Photos of some instruments (perhaps re-worked subsequently?) show that this raised edge beyond the blocks has been trimmed away.
Any thoughts on whether this extended flat section contributes anything structurally or acoustically important to the instrument?
In instruments that have a steeply rising long arch this extended flat section can add quite a bit of lumber to the overall plate...
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Michael Darnton Moderator
Joined: 23 Mar 2007 Posts: 1347 Location: Chicago
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Posted: Thu Mar 07, 2013 11:33 am Post subject: |
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In the real instruments it's not nearly as dramatic as Sacconi illustrated it--you'd miss it if you didn't know it was there.
Everything does something. :-) As my mentor on this stuff, Bob Bein, would say, two different things are never identical. _________________ new blog at my site! http://darntonviolins.com/blog
my work sites: http://darntonviolins.com and http://darntonhersh.com |
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actonern Super Member
Joined: 15 Aug 2007 Posts: 444
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Posted: Thu Mar 07, 2013 12:34 pm Post subject: |
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Thanks for that. The Courtnall and Johnson text shows this ledge preserved right through to the assembled instrument. I was always curious as to the functional purpose of this feature...
Michael, I don't know if you're keen on the satirical internet news site "The Onion."
They have a news show with an opening narration:
"...Taking the hatchet of truth to the skull of lies..."
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Michael Darnton Moderator
Joined: 23 Mar 2007 Posts: 1347 Location: Chicago
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violinarius Member
Joined: 14 Dec 2007 Posts: 171
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Michael Darnton Moderator
Joined: 23 Mar 2007 Posts: 1347 Location: Chicago
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Posted: Thu Mar 07, 2013 1:34 pm Post subject: |
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The problem is that that particular violin is notable for how little it's buggered, and still, it's pretty buggered. :-) New edges and platforms all around. Usually backs, with fewer repairs are easier to see that kind of stuff on, but most of my internal pix, such as that one, are archive pix of repair work, so not of backs. _________________ new blog at my site! http://darntonviolins.com/blog
my work sites: http://darntonviolins.com and http://darntonhersh.com |
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jacobyfineviolins Member
Joined: 04 Mar 2013 Posts: 55 Location: Omaha, NE
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Posted: Thu Mar 07, 2013 7:44 pm Post subject: |
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I only take the platform away to the block if I really need to reduce the weight of a plate, and have nowhere else to turn. I think, at this point, that that section of the plate is pretty inconsequential, and the extra mass helps prevent cracks when it's left full.
Anyone have other experience? _________________ I could have carved a scroll by now.
http://jacobyfineviolins.squarespace.com/ |
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